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Pinkey Sharma |
Music |
2024-09-17 |
null mins read
Sikkim is a beautiful state in the North-Eastern part of India, lying graciously amidst the Himalayas, rich in culture and great traditions. Among others, folklife in Sikkim is so vibrant with traditions, and of all these, folk songs of Sikkim occupy a major place in the life of people here. Folk Music of Sikkim reflects its multi-ethnic constituency, historical narration, and spiritual beliefs. These age-old songs give a peep into the soul of Sikkim, caricaturing its essence in melody and rhythm.
The population in Sikkim represents a mosaic of various ethnic groups, mainly the Lepchas, Bhutias, and Nepalese, all of whom contribute to the rich cultural life of the state. The folk music of Sikkim derives from the traditions of these communities and is used as a medium to express tales, rituals, and other such communal values.
The Lepchas are considered indigenous people of Sikkim and have a rich musical tradition that is organically linked with nature. The folk songs of Sikkim often eulogize the beauty of the natural world, from the grand Kanchenjunga mountains to the lush forests and flowing rivers. The Bhutias that entered the land of Sikkim, migrating from Tibet, brought musical tradition—a blend of Tibetan Buddhist chanting with the local melodies. The majority of the population in Sikkim is made up of the Nepalese, forming a great many musical traditions influenced by several ethnic components in Nepal, including the groups such as the Gurungs, the Tamangs, and the Newars.
The folk songs of Sikkim can be broadly classified based on the themes and the occasions of the songs. The main classifications are as follows:
1. Religious and Ritual Songs: Such songs form part of a religious ceremony and rituals and are often called upon for deities to bless a person. The Bhutias, for instance, have a truly rich tradition of hymn and chant singing during festivals like Losar and Bumchu.
2. Seasonal and Agricultural Songs: The agrarian way of life of the people of Sikkim finds expression through its folk songs relating to different seasons and agrarian practices. The Nepalis have a tradition of "Jhyaure" and "Selo" songs, particularly during the sowing and reaping time. Most of the songs are lively and rhythmic, highlighting the toil and merriment involved in agriculture.
3. Love and Romance: Folk music of Sikkim is full of themes of love and romance. It highlights songs of longing, affection, and heartbreak. For example, the "Palam" songs of the Limbu community are poetic verses of love and courtship.
4. Festivals and Celebrations: Sikkim's festivals and celebrations center around folk songs. During Dashain, Tihar, and Maghe Sankranti, groups of people can be found singing and dancing, thus helping create communal bonding. 'Maruni' dance is one of the favorite performance items during Tihar, for which the traditional song has been prescribed.
5. Work and Everyday Life: Maximum numbers of the folk songs of Sikkim are centered on the life of the working people in this state. These folk songs portray the lives of the shepherds, the peasants, and the homemakers as they get up before the rise and face several challenges throughout the day. Besides this, they reveal sentiments of joy, sorrow, and other sentiments and aspirations. For example, the "Zar" songs of the Lepcha community depict herding and hunting experiences.
The folk music of Sikkim is played with different traditional instruments, which help in adding depth and texturing to the melody. Some common instruments include:
1.Dhyangro: A traditional drum of the Lepchas, it produces a resounding sound. So, an important part of the Lepcha folk music.
2.Damphu: A kind of tambourine, it is played by the Tamang community. It is usually played during festive songs.
3.Sarangi: A Nepali folk musical string instrument producing soulful and mellifluous tones.
4.Yangjae: A traditional Bhutia lute with which their music gets a different flavor.
Folk songs of Sikkim are sung by groups chiefly, either in a circle or in a group. The people of Sikkim take part in a chorus. Equally varied and dynamic is the dance associated with these songs. Each community has a characteristic style and manner. The Lepcha dance is "Chu Faat" to the mountain gods while that of the Bhutias is "Gha To Kito" and is done very fast and is highly rhythmic during the festivals.
Folk songs of Sikkim are preserved through oral tradition in which the elderly members of the family handed over the tune and lyrics to the young. But with modernity, globalization was entering this Himalayan state at large, and there was increasing concern about the erosion of these traditional art forms. Several attempts have been made to preserve and popularize the folk music of Sikkim through many means:
1. Cultural Programs: The Sikkim Folk Festival and Namchi Mahotsav are such events that offer a platform for local artists to practice their skills and thereby keep the traditions alive.
2. Educational Initiatives: Schools and cultural organizations in Sikkim have already included folk music of Sikkim in the course so that from a very young age, children learn about their heritage.
3. Mass Media and Technology: The role of mass media and technology in the preservation of folk music of Sikkim has been immense. Presenting the rich musical tradition of Sikkim to a global audience, recordings, documentaries, and other online platforms are coming up.
4. Fusion and Innovation: Today's artists in Sikkim are experimenting with fusion music. They make an amalgamation of traditional/ethnic folk elements with modern genres, which helps appeal to the younger generation while having the added advantage of making sure that the folk music of Sikkim evolves to stay relevant.
The history of the folk tales and musical traditions of Sikkim is an extended part of the cultural and social evolution of the region. Sikkimese folk tales and music are not only creative art expressions but also form a part of the integral memory and identity of its people. These have developed under the influence of different ethnic groups belonging in Sikkim - the Lepchas, Bhutias, and the Nepalese. Each of these contributors has added immense depth to the tapestry of stories and songs that define the cultural heritage of this state.
The roots of folk tales in Sikkim may be traced back to its earliest inhabitants, the Lepchas, whom scholars generally refer to as the aborigines of the land. The Lepchas have a rich oral tradition that includes explanations for natural phenomena and historical events as well as moral lessons. Most commonly, these stories make use of deities, spirits, and legendary heroes who are testimony to the close relationship the Lepcha people shared with nature and their spiritual inclinations.
The Bhutias, who migrated from Tibet in the 15th century, brought newer elements into the culture of Sikkim. The traditions of Tibetan Buddhism became part of the culture, embedding themselves deep in the fabric of the folk tales and music of this land. That is to say, Buddhist themes around the lives of the saints and the moral lessons of Buddha started to find expression in the local narratives. It was this synthesis of the Indigenous and the Tibetan that created a distinct cultural synthesis that greatly updated the folk traditions in Sikkim.
This added more to the state's cultural diversity, including the migration of Nepalese during the 19th century. The Nepalese settlers brought tales and songs with them. Among these, the traditional storytelling forms of "Katha" and "Bhajan" are part of this abundant store of folk tales and songs. From the Lepcha, Bhutia, and Nepali traditions emerged a rich, multicolored cultural heritage, which continues to unfold and change even today.
In this way, Sikkim's folk tales have a connection with moral teaching, preservation of historical events, and cultural practices. Some of the more prominent themes and types of folk tales are:
1. Creation Myths: They relate to the genesis of the world, natural landmarks, and the Sikkimese people. For instance, the mighty Kanchenjunga mountain and the Teesta River go back in history to the Lepcha creation myth.
2. Heroic Tales: Most of the folk tales of this region glorify the legendary heroes and heroines who are supposed to be the embodiments of virtues like fearless courage, wisdom, and compassion. While doing so, they become moral examples before the whole community.
3. Animal Fables: The animal characters each insert moral lessons and human virtues in Sikkimese folk tales. The stories, to begin with, often delineate close relationships between humans and the natural world.
4. Supernatural and Magical Tales: The folklore of Sikkim is dependent upon supernatural beings, the inclusion of ghosts, gods, and magic within it. These stories unleash the spiritual belief system of the people, with respect of the supernatural.
5. Historical Tales: Folk tales are also a carrier of historical knowledge, depicting some of the important events and protagonists of history within Sikkim. Thus, these tales are good community memories.
Folk music of Sikkim has evolved at a level concurrent with its folk tales, as a medium of expression at expressing cultural stories and communal values. These are characterized by traditional instruments, rhythmic patterns, and melodic structures unique to each ethnic group.
1. Lepcha Music: With the Lepchas, the musical tradition reflects their animistic disposition and their daydreams about nature. It so happens that folk songs of Sikkim, almost always being played on the "Dhyagro" (a kind of drum) are in praise of natural beauty, agricultural practices, or communal rituals.
2. Bhutia Music: Music plays a very strong role in Bhutias wherein deep affiliation with Tibetan Buddhist chants and various hymns, which they render on religious occasions, is noted. Instruments used are a "Yangjey," a traditional lute, and a "Damaru," a small drum. The music is demonstrated on various religious occasions and festivals to reinforce spiritual and social ties.
3. Nepalese Music: The Nepalese of Sikkim have a very heterogeneous musical pattern. Different genres of music that are popular with this community include "Jhyaure," "Selo," and "Tamang Selo." "Sarangi," a string instrument, and "Madal," a drum, are two inseparable components of Nepali folk songs. Most of the songs relate either to love, labor, or enjoyment.
The folk songs of Sikkim are a pointer to the rich cultural heritage of this state and the resilience of its people. These songs, full of an interesting melody and meaningful song texts, possess a small window to the history, beliefs, and way of living of the Sikkimese people. As efforts keep going toward the preservation and promotion of this invaluable heritage, it is sure to keep on fascinating and continue to inspire future generations, thereby retaining the pride place that the folk music of Sikkim occupies in the state's cultural tapestry.
The history of the folk tales and the musical traditions of Sikkim is a testimony to the beautiful cultural heritage and strength of its people. These tales and tunes, folklore, and tunes have taken shape through ages interacting amongst the mixed-up ethnicity groups within the domain land of Sikkim, and give out a deep understanding of the values, beliefs, and history the province of Sikkim carries. While further efforts are made to preserve and propound such traditions, the folklore and music of Sikkim would provide the necessary relish to the cultural identity of the stages in the lives of present and future generations.
The Correct Answer is Gha To Kito. Gha To Kito is a song-cum-dance of the Bhutia tribe in Sikkim. It depicts the riches of Sikkim such as Mount Kanchenjunga, religious places, hills, lakes, caves, and minerals.
Their cultures constitute the folk dances and music of the Sikkimese area. Their music and folk dances depict the beauty of the natural habitat, illustrate the harvest season, and are performed for good luck and prosperity.
Tamang Selo is a traditional Sikkimese folk dance patronized by the Tamang community of the state. A traditional musical instrument of the Tamangs called the Damphu, accompanies the dance.
Sarangi: The Sarangi is a bowed string instrument that resembles a small violin. It has a unique sound and is often used in folk music and classical compositions. The Sarangi adds depth and richness to Sikkimese music. Madal: The Madal is a traditional Nepali drum that is widely used in Sikkimese music.
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