This poem signifies the self-assertion or self-esteem of a Hawk which is separated from the human world. The poem is a monologue which is dramatic in a non-human voice, i.e., of the Hawk carrying a false belief of being a superior living being. The supreme ego of the Hawk is brandished by boasting of its physical features. Its arrogance is insinuated by the outrageous fashion in which his physiology is branded. The vaunted self-praise as an instance of extreme conceit has been criticised. Savagery is brought out by the poet by explaining the naive physiology of the Hawk. In the first stanza, the Hawk claims that the whole world is limited between his “hooked head” and “hooked feet”. The Hawk thinks that the entire creation is personified by it, and even while asleep, it “rehearses perfect kills and eats” in its dream. In the third stanza, we observe that the Hawk challenges God. The Hawk compliments itself that “it took the whole of creation” to create it, its foot and its feather. The roles are now reversed, and it enjoys exercising its powers over the entire world.